By Bruce Joseph on Posted in Broadcast Regulation,Copyright,Music LicensingBroadcasters streaming music on the Internet have until February 2, 2015, according to SoundExchange, to pay the $500 annual minimum fee per station or channel due to SoundExchange. The statutory license fee is paid to SoundExchange for the right to publicly perform sound recordings on the Internet and is in addition to fees paid to… Continue Reading
By Wiley Rein LLP on Posted in Broadcast Technology,Music LicensingA magistrate judge has recommended that the district court dismiss for lack of subject-matter jurisdiction a declaratory judgment complaint concerning Internet streaming royalties. In WTGD 105.1 FM v. SoundExchange, Inc., a group of radio broadcast stations in Harrisonburg, Virginia sought to establish that when Internet streams of the stations’ broadcasts are restricted to 150 miles… Continue Reading
By Eve K. Reed on Posted in Broadcast Regulation,Foreign Ownership,Music LicensingIn the latest chapter of the attempt by Internet streaming music provider Pandora to acquire a South Dakota radio station, the Federal Communications Commission (FCC) has asked for comments on the petition for declaratory ruling that Pandora filed in late June. The petition, as we explained previously, is the first one filed by an entity… Continue Reading
By Eve K. Reed and John Burgett on Posted in Broadcast Regulation,Foreign Ownership,Music LicensingJust over a year ago, Internet streaming music provider Pandora filed an application seeking FCC consent to acquire a South Dakota radio station, KXMZ(FM). As we explained at the time, Pandora was motivated in part by a desire to qualify for lower royalties for public performances of musical works in the repertories of the American… Continue Reading
By Bruce Joseph on Posted in Copyright,Music LicensingThe United States Department of Justice has opened a review of the consent decrees that govern the operation of the nation’s two largest music performing rights organizations (“PROs”), the American Society of Composers, Authors and Publishers (ASCAP) and Broadcast Music, Inc. (BMI). The Department is seeking public comments on the effectiveness, operation, and continued need… Continue Reading
By Wiley Rein LLP on Posted in Broadcast Technology,Music LicensingRadio stations streamed over the Internet that restrict their audience to a 150-mile radius through geo-fencing should not have to pay copyright royalties to SoundExchange, according to a Declaratory Judgment Complaint filed Wednesday in the United States District Court for the Western District of Virginia. SoundExchange collects and distributes royalties to copyright owners under the… Continue Reading
By Ari Meltzer on Posted in Copyright,Music LicensingJust before Christmas, Magistrate Judge Lynne A. Sitarski, of the U.S. District Court for the Eastern District of Pennsylvania, issued a recommendation that a District Judge deny a motion by the Radio Music License Committee (the “RMLC”) for a preliminary injunction preventing SESAC from increasing its rates during the pendency of the RMLC’s antitrust suit… Continue Reading
By Bruce Joseph on Posted in Copyright,Music LicensingThe ASCAP Rate Court has ruled that the antitrust consent decree that governs ASCAP’s licensing practices (“AFJ2”) precludes ASCAP’s publisher members from withdrawing certain rights from ASCAP’s repertory. The court granted Pandora’s summary judgment motion, holding that AFJ2 requires ASCAP to license all “works” in its repertory to any service that requests a license. The… Continue Reading
By Eve K. Reed on Posted in Broadcast Attribution,Broadcast Regulation,Copyright,Foreign Ownership,Music LicensingIn June, Pandora announced plans to purchase a South Dakota radio station, KXMZ(FM), from Connoisseur Media, LLC. From the outside, it might have seemed curious that a pure-play Internet webcaster would seek to enter the broadcast radio business by purchasing a single station. But Pandora explained that, among other things, the company wanted to buy… Continue Reading
